Education Information System

Course Information

Course Information

Course Title	Code	Language	Type	Semester	L+U Hour	Credits	ECTS
Film and Television Practices Workshop	STV 503	Turkish	Compulsory		1 + 2	3.0	8.0

Prerequisite Courses
Course Level	Graduate
Mode of delivery	Face-to-face
Course Coordinator	Doç. Dr. Tunç YILDIRIM, Prof. Dr. Ayla KANBUR, Prof. Dr. Selma KÖKSAL
Instructor(s)	Doç. Dr. Tunç YILDIRIM (Güz)
Goals	To introduce students to the discipline of “Cinema/Film Studies”, to inform them about the historical evolution of this young branch of humanities and to introduce them to the basic texts (articles and books) of this discipline. To transform students into researchers who can conduct new, scientific and qualified studies in the discipline of cinema studies.
Course Content	The theoretical, methodological, epistemological and critical frameworks required by the discipline of Cinema/Film Studies determine the boundaries of the course.

Learning Outcomes

#	Öğrenme Kazanımı
1
2
3

Lesson Plan (Weekly Topics)

Week	Topics/Applications	Method
1. Week	Introduction with the reading passage: “Studying Cinema”
2. Week	Introduction to epistemology: Ways of accessing knowledge
3. Week	Introduction to Epistemology: Ways of Accessing Knowledge and Cinema Studies
4. Week	Overview of Cinema/Film Studies
5. Week	Overview of Cinema/Film Studies
6. Week	The effects of S-L-A-B (Saussure, Lacan, Althusser and Barthes) theory on film readings
7. Week	The effects of S-L-A-B (Saussure, Lacan, Althusser and Barthes) theory on film readings
8. Week	Midterm
9. Week	1978: FIAF's Brighton Congress (re-reading of cinema history 1900-1906)
10. Week	Transition to a New Paradigm of Cinema History: from traditional and amateur film historiography to expert and university approaches
11. Week	Transition to a New Paradigm of Cinema History: from traditional and amateur film historiography to expert and university approaches
12. Week	Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound.
13. Week	Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound.
14. Week	Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound.
15. Week	Final

*Midterm and final exam dates are not specified in the 14-week course operation plan. Midterm and final exam dates are held on the dates specified in the academic calendar with the decision of the University Senate.

Relations with Education Attainment Program Course Competencies

Program Requirements	DK1

Recommended Sources

Ders Kitabı veya Notu	Ders Kitabı veya Ders Notu bulunmamaktadır.
Diğer Kaynaklar	Andrew M. Butler, Film Çalışmaları, Kalkedon, İstanbul, 2011. Robert Kolker, Film, Biçim ve Kültür, DeKi, Ankara, 2011. Michael Ryan, Eleştiriye Giriş. Edebiyat/Sinema/Kültür, DeKi, Ankara, 2013. Warren Buckland, Sinemayı Anlamak, Hayalperest, İstanbul, 2018. Makale-1: Yıldırım, Tunç. (2016). “1950’ler sonu Türk sinema eleştirisinin “türsüzleştirme” uygulaması: Üç Arkadaş (1958) ve Yalnızlar Rıhtımı (1959) melodramlarının eleştirel alımlamaları ve estetik çözümlemeleri”. Journal of Human Sciences, 13(2), ss. 3181-3203. Bkz. https://doi:10.14687/jhs.v13i2.3945 Makale-2: Yıldırım, Tunç. (2018). “Yeşilçam’da Polisiyenin Eleştirel Dönüşümü: Toplumsal Gerçekçi Sinema Hareketinin Amblemi Olarak Gecelerin Ötesi”. Erciyes İletişim Dergisi 5/4, ss. 599-630. Bkz. https://doi.org/10.17680/erciyesiletisim.422076 Makale-3: Yıldırım, Tunç. (2018). “İntikam Alevi’nde Sovyet Montaj Üslubu Örneği”. Trt akademi 3 (5), ss. 112-137. Bkz. https://dergipark.org.tr/tr/pub/trta/issue/35456/356630 Makale-4: Bordwell, David. “Studying Cinema”. Bkz. http://www.davidbordwell.net/essays/studying.php Makale-5: Gürata, A. (2012). “Dudley Andrew ile Söyleşi: Sinemanın Enerjisine İnancımı Hiç Yitirmeyeceğim”. Sinecine: Sinema Araştırmaları Dergisi, 3 (2), ss. 101-121. Bkz. https://dergipark.org.tr/tr/pub/sinecine/issue/44746/5562 Makale-6: Aydınlı, S, Okay, D. (2013). “Dudley Andrew: SİNEMA ARAŞTIRMALARININ ÖZÜ VE GELİŞİMİ”. Sinecine: Sinema Araştırmaları Dergisi, 4 (1), 141-173. Bkz. https://dergipark.org.tr/tr/pub/sinecine/issue/44722/555570 Film izleme-1: İntikam Alevi, Osman Seden, 1955. Film izleme-2: Üç Arkadaş, Memduh Ün, 1958. Film izleme-3: Yalnızlar Rıhtımı, Lütfi Ömer Akad, 1959. Film izleme-4: Gecelerin Ötesi, Metin Erksan, 1960.