Course Information

Course Information
Course Title Code Semester L+U Hour Credits ECTS
Classical Film Narration RTS205 3. Semester 3 + 0 3.0 4.0
Prerequisites None
Language of Instruction Turkish
Course Level Undergraduate
Course Type
Mode of delivery Face to face
Course Coordinator Prof. Dr. Ayla KANBUR
Instructors Ayla KANBUR
Assistants
Goals This course is a basic introduction to understanding later film reading studies. It is designed to gain the means of evaluating a movie with its technological, aesthetic, cultural and economic ties in creating meaning at the end of the period.
Course Content It is a course designed to relate the technical dimensions of a movie to creating meaning, or the use of technique to create meaning, and the features of narrative structure. Working on the main concepts of classical film narration is the content of this course. Identification, catharsis, transitive narrative, cause-effect relationship, closed end and fictional concepts are emphasized and examples of each of these concepts are studied with examples.
Learning Outcomes - Understands what a film is and its textual organization within the context of new formalism.
- Analyze the dominant narrative structure of cinema art, compare the similarities and differences of national and international examples.
- Examines the production phases of cinema, narrative, mise en scene, cinematography, fiction and sound at the theoretical level and applies them to examples.
- It gains a critical view that combines the value, cultural, genetic, historical and social importance of a movie in the art of cinema.
Weekly Topics (Content)
Week Topics Learning Methods
1. Week Introduction Verbal Expression Course Hours
2. Week The Importance of Film Format Course Hours Verbal Expression
3. Week Principles of narrative structure and narrative structure Verbal Expression Course Hours
4. Week Time and space in the fictional film 1 Verbal Expression Course Hours
5. Week Narration in fictional film, time and space 2 Course Hours Verbal Expression
6. Week Mise-en-Scene Course Hours Other Activities
7. Week Meaning making and Mise-en-Scene Course Hours Verbal Expression
8. Week Midterm Course Hours Practice
9. Week Cinematography Verbal Expression Visual Presentation Course Hours
10. Week Cinematography 2 Verbal Expression Visual Presentation Course Hours
11. Week The link between two shots: editing Course Hours Verbal Expression
12. Week The link between two shots: editing 2 Verbal Expression Course Hours
13. Week Continuity Editing Verbal Expression Course Hours
14. Week Sound and dimensions of sound in cinema Verbal Expression Course Hours
15. Week Final Practice Course Hours
Recommended Sources
Ayşen Oluk Ersümer, Klasik Anlatı Sineması, Hayalperest Yayınevi, 2013.
David Bordwell, Christin Thompson, Film Sanatı, Deki Yayınları 2014
Relations with Education Attainment Program Course Competencies
Program Requirements Contribution Level DK1 DK2 DK3 DK4 Measurement Method
PY1 3 3 3 3 3 40,60
PY2 3 3 3 3 3 40,60
PY3 3 3 3 3 3 40,60
PY4 3 3 3 3 3 40,60
PY5 2 2 2 2 2 40,60
PY6 4 4 4 4 4 40,60
PY7 4 4 4 4 4 40,60
PY8 2 2 2 2 2 40,60
PY9 3 3 3 3 3 40,60
PY10 3 3 3 3 3 40,60
PY11 2 2 2 2 2 40,60
*DK = Course's Contrubution.
0 1 2 3 4 5
Course's Level of contribution None Very Low Low Fair High Very High
Method of assessment/evaluation Written exam Oral Exams Assignment/Project Laboratory work Presentation/Seminar
ECTS credits and course workload
Event Quantity Duration (Hour) Total Workload (Hour)
Course Hours 15 1 15
Preparation, After Class Study 1 1 1
Verbal Expression 2 1 2
Visual Presentation 2 1 2
Midterm 1 1 2 2
Homework 1 10 4 40
Homework 2 10 3 30
Final 1 2 2
Classroom Activities 4 2 8
Total Workload 102
ECTS Credit of the Course 4.0