| Course Title | Code | Semester | L+U Hour | Credits | ECTS |
|---|---|---|---|---|---|
| Film and Television Practices Workshop | STV 503 | 1 + 2 | 3.0 | 8.0 |
| Prerequisites | None |
| Language of Instruction | Turkish |
| Course Level | Graduate |
| Course Type | |
| Mode of delivery | Face-to-face |
| Course Coordinator |
Assoc. Prof. Dr. Tunç YILDIRIM Prof. Dr. Ayla KANBUR Prof. Dr. Selma KÖKSAL |
| Instructors |
Ayla KANBUR |
| Assistants | |
| Goals | To introduce students to the discipline of “Cinema/Film Studies”, to inform them about the historical evolution of this young branch of humanities and to introduce them to the basic texts (articles and books) of this discipline. To transform students into researchers who can conduct new, scientific and qualified studies in the discipline of cinema studies. |
| Course Content | The theoretical, methodological, epistemological and critical frameworks required by the discipline of Cinema/Film Studies determine the boundaries of the course. |
| Learning Outcomes |
- - - |
| Week | Topics | Learning Methods |
|---|---|---|
| 1. Week | Introduction with the reading passage: “Studying Cinema” | |
| 2. Week | Introduction to epistemology: Ways of accessing knowledge | |
| 3. Week | Introduction to Epistemology: Ways of Accessing Knowledge and Cinema Studies | |
| 4. Week | Overview of Cinema/Film Studies | |
| 5. Week | Overview of Cinema/Film Studies | |
| 6. Week | The effects of S-L-A-B (Saussure, Lacan, Althusser and Barthes) theory on film readings | |
| 7. Week | The effects of S-L-A-B (Saussure, Lacan, Althusser and Barthes) theory on film readings | |
| 8. Week | Midterm | |
| 9. Week | 1978: FIAF's Brighton Congress (re-reading of cinema history 1900-1906) | |
| 10. Week | Transition to a New Paradigm of Cinema History: from traditional and amateur film historiography to expert and university approaches | |
| 11. Week | Transition to a New Paradigm of Cinema History: from traditional and amateur film historiography to expert and university approaches | |
| 12. Week | Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound. | |
| 13. Week | Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound. | |
| 14. Week | Fundamental ideas and concepts of the discipline of Cinema Studies/Film Studies. Main elements of cinema aesthetics: Cinematography, mise en scene, montage, sound. | |
| 15. Week | Final |
| Andrew M. Butler, Film Çalışmaları, Kalkedon, İstanbul, 2011. |
| Robert Kolker, Film, Biçim ve Kültür, DeKi, Ankara, 2011. |
| Michael Ryan, Eleştiriye Giriş. Edebiyat/Sinema/Kültür, DeKi, Ankara, 2013. |
| Warren Buckland, Sinemayı Anlamak, Hayalperest, İstanbul, 2018. |
| Makale-1: Yıldırım, Tunç. (2016). “1950’ler sonu Türk sinema eleştirisinin “türsüzleştirme” uygulaması: Üç Arkadaş (1958) ve Yalnızlar Rıhtımı (1959) melodramlarının eleştirel alımlamaları ve estetik çözümlemeleri”. Journal of Human Sciences, 13(2), ss. 3181-3203. Bkz. https://doi:10.14687/jhs.v13i2.3945 |
| Makale-2: Yıldırım, Tunç. (2018). “Yeşilçam’da Polisiyenin Eleştirel Dönüşümü: Toplumsal Gerçekçi Sinema Hareketinin Amblemi Olarak Gecelerin Ötesi”. Erciyes İletişim Dergisi 5/4, ss. 599-630. Bkz. https://doi.org/10.17680/erciyesiletisim.422076 |
| Makale-3: Yıldırım, Tunç. (2018). “İntikam Alevi’nde Sovyet Montaj Üslubu Örneği”. Trt akademi 3 (5), ss. 112-137. Bkz. https://dergipark.org.tr/tr/pub/trta/issue/35456/356630 |
| Makale-4: Bordwell, David. “Studying Cinema”. Bkz. http://www.davidbordwell.net/essays/studying.php |
| Makale-5: Gürata, A. (2012). “Dudley Andrew ile Söyleşi: Sinemanın Enerjisine İnancımı Hiç Yitirmeyeceğim”. Sinecine: Sinema Araştırmaları Dergisi, 3 (2), ss. 101-121. Bkz. https://dergipark.org.tr/tr/pub/sinecine/issue/44746/5562 |
| Makale-6: Aydınlı, S, Okay, D. (2013). “Dudley Andrew: SİNEMA ARAŞTIRMALARININ ÖZÜ VE GELİŞİMİ”. Sinecine: Sinema Araştırmaları Dergisi, 4 (1), 141-173. Bkz. https://dergipark.org.tr/tr/pub/sinecine/issue/44722/555570 |
| Film izleme-1: İntikam Alevi, Osman Seden, 1955. |
| Film izleme-2: Üç Arkadaş, Memduh Ün, 1958. |
| Film izleme-3: Yalnızlar Rıhtımı, Lütfi Ömer Akad, 1959. |
| Film izleme-4: Gecelerin Ötesi, Metin Erksan, 1960. |
| Program Requirements | Contribution Level | DK1 | Measurement Method |
|---|
| 0 | 1 | 2 | 3 | 4 | 5 | |
|---|---|---|---|---|---|---|
| Course's Level of contribution | None | Very Low | Low | Fair | High | Very High |
| Method of assessment/evaluation | Written exam | Oral Exams | Assignment/Project | Laboratory work | Presentation/Seminar |
