| Course Title | Code | Semester | L+U Hour | Credits | ECTS |
|---|---|---|---|---|---|
| Theater History III | TİY225 | 3. Semester | 2 + 0 | 2.0 | 3.0 |
| Prerequisites | None |
| Language of Instruction | Turkish |
| Course Level | Undergraduate |
| Course Type | |
| Mode of delivery | Discussion, oral presentation and written reports. |
| Course Coordinator |
Lect. Naciye AKSOY |
| Instructors |
Naciye AKSOY |
| Assistants | |
| Goals | The objective of the course is to inform the students about theatre approaches and practices of relevant periods. |
| Course Content | This course will focus on realistic and naturalistic theatrical styles, playwrights, staging techniques, theatre architecture and Stanislavsky’s acting style. |
| Learning Outcomes |
- has klowledge about realistic and naturalistic theatrical styles, playwrights, staging techniques, etc. - Gets knowledge about Stanislavski's system of Theatre and Acting - has klowledge about avant-garde movements of the 20. century. - Examines and analyzes the plays of relevant periods in terms of historical and theoretical knowledge. |
| Week | Topics | Learning Methods |
|---|---|---|
| 1. Week | The intellectual basis of Realistic-naturalistic art | |
| 2. Week | Realistic-naturalistic Theatre | |
| 3. Week | Realistic Theatre in Germany and Russia | |
| 4. Week | Appearance and development of the concept "Director" | |
| 5. Week | Stanislavski's system of Theatre and Acting | |
| 6. Week | Playwriting in Realistic-naturalistic Theatre | |
| 7. Week | Realistic-naturalistic Theatre Technique | Course Hours Preparation, After Class Study Research |
| 8. Week | Midterm exam | Course Hours |
| 9. Week | Counter-realistic practices in theatre | Course Hours Research Preparation, After Class Study |
| 10. Week | Wagner, Nietzche and Aestheticism | Course Hours Research Preparation, After Class Study |
| 11. Week | Adolphe Appia and Gordon Graig's conception on staging techinique | Course Hours Preparation, After Class Study Research |
| 12. Week | Avant-garde movements of the 20. century;Futurism, Surrealism, Expressionism | Course Hours Research Preparation, After Class Study |
| 13. Week | Antonin Artaud and Theatre of Cruelty | Course Hours Preparation, After Class Study Research |
| 14. Week | Developments of Staging Techniques in 20. century | Course Hours Research Preparation, After Class Study |
| Brockett, Oscar G., Tiyatro Tarihi, çev. Sevinç Sokullu vd., Dost Kitabevi, Ankara:2000. |
| Şener, Sevda, Dünden Bugüne Tiyatro Düşüncesi, Dost Kitabevi: Ankara, 2000. |
| Candan, Ayşin, Yirminci Yüzyılda Öncü Tiyatro Düşüncesi, Yapı Kredi Yayınları; İstanbul,1994. |
| Program Requirements | Contribution Level | DK1 | DK2 | DK3 | DK4 | Measurement Method |
|---|---|---|---|---|---|---|
| PY1 | 2 | 0 | 0 | 0 | 0 | - |
| PY2 | 4 | 0 | 0 | 0 | 0 | - |
| PY3 | 3 | 0 | 0 | 0 | 0 | - |
| PY4 | 2 | 0 | 0 | 0 | 0 | - |
| PY5 | 4 | 0 | 0 | 0 | 0 | - |
| PY6 | 2 | 0 | 0 | 0 | 0 | - |
| PY7 | 3 | 0 | 0 | 0 | 0 | - |
| PY8 | 1 | 0 | 0 | 0 | 0 | - |
| PY9 | 3 | 0 | 0 | 0 | 0 | - |
| PY10 | 0 | 0 | 0 | 0 | 0 | - |
| PY11 | 3 | 0 | 0 | 0 | 0 | - |
| PY12 | 3 | 0 | 0 | 0 | 0 | - |
| PY13 | 0 | 0 | 0 | 0 | 0 | - |
| PY14 | 3 | 0 | 0 | 0 | 0 | - |
| 0 | 1 | 2 | 3 | 4 | 5 | |
|---|---|---|---|---|---|---|
| Course's Level of contribution | None | Very Low | Low | Fair | High | Very High |
| Method of assessment/evaluation | Written exam | Oral Exams | Assignment/Project | Laboratory work | Presentation/Seminar |
| Event | Quantity | Duration (Hour) | Total Workload (Hour) |
|---|---|---|---|
| Course Hours | 14 | 2 | 28 |
| Preparation, After Class Study | 12 | 1 | 12 |
| Research | 10 | 2 | 20 |
| Midterm 1 | 1 | 7.5 | 7.5 |
| Final | 1 | 9 | 9 |
| Total Workload | 76.5 | ||
| ECTS Credit of the Course | 3.0 | ||
